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Director Marc Webb's live-action/animated redo of the Walt Disney animated classic has some smart updates but isn't nearly as ...
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'Snow White' hits theaters — and the magic mirror couldn't have predicted the controversy around the live-action filmThe rollout of Disney’s live-action Snow White has been anything but a fairy tale. There’s always a lot to lose by modernizing a beloved classic, in this case the 1937 animated film ...
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SciFiNow on MSNSnow White review: Magic Mirror on the wall, is this the best remake of them all?Disney’s live-action Snow White has faced a storm of controversy and skepticism, but despite its modern updates and mixed execution, it manages to surpass recent remakes — if only by a small margin.
Rachel Zegler's Snow White has officially overtaken Mirror Mirror at the box office after only two weeks in theaters.
That picture, Snow White and the Seven Dwarfs ... Meanwhile, that damned magic mirror — the one that looks and sounds like a dead ringer from the Disneyland ride of yore — keeps telling ...
No magic mirror is needed to identify it as the lamest Mouse House re-do of them all. The external reflects the internal in Snow White and the Seven Dwarfs—one of many paradigms that was ...
until Snow White’s generosity toward a hungry, handsome bandit leader named Jonathan (Andrew Burnap) causes the magic mirror to change its tune. Most of us know where the story goes from there ...
Another theater heavy hitter also lends his voice to the notorious Magic Mirror who is able to determine the fairest in the land. RELATED: ‘Snow White’ Review: Rachel Zegler & Gal Gadot ...
Which makes “Snow White” a fascinating case study in today’s impossible contradictions — a magic mirror reflecting the tensions of the current times. Webb and screenwriter Erin Cressida ...
The rollout of Disney’s live-action Snow White has been anything but a fairy tale. There’s always a lot to lose by modernizing a beloved classic, in this case the 1937 animated film, but this new take ...
But can the remake live up to the magic of the original? Here is L.A. Times film critic Amy Nicholson’s review.
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