One of prog's biggest names, the bassist for hard rock trio Rush, singled out one Yes cut as exemplary of Chris Squire's distinctive rhythm chops.

Antonoff is one of the few OCD advocates to hit squarely on the root note of the disorder itself — the existential dread of ...

One of the most pioneering pieces of pop psychedelia, The Beatles' 'Tomorrow Never Knows' is filled with eerie sounds and ...

"If she didn’t like a voicing or a rhythmic pattern, she was great at communicating that," says Eliza Petrosyan ...

According to Mark Lewisohn’s The Complete Beatles Recordings Sessions: The Official Story of the Abbey Road Years 1962-1970, ...

With pared down guitar and an ethereal combination of vocals and Mellotron, Swift wrote the song “Lover” to sound “like the last two people on a dance floor at 3 a.m. swaying.” And ...

Why do critics always prefer innovation to refinement? Jeremy Allen considers what could arguably be Tangerine Dream's ...

Bulky, heavy, ugly and decidedly unsexy to look at it might have been (especially the early models), but the Mellotron carved out its own niche in the progressive rock scene in the late 60s and ...

and a touch of the Mellotron flute sound that The Beatles used on Lucy In The Sky With Diamonds. Sending a country trio is a clever choice too. As much as the BBC (and the fans) would love it ...