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St John Passion, Academy of Ancient Music, Cummings, Barbican review – conscience against conformism
In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their ...
It opens with a sudden “crack of the whip” setting off a race between the piccolo and the piano. Next weekend, Allison ...
Thursday evening’s performance juxtaposed Beethoven’s Piano Concerto No. 4, featuring the distinguished Mitsuko Uchida, with ...
Either way, this thirty-minute-long score doesn’t sound particularly valedictory. Though its middle movements mine some dark territory, the outer pair are wonderfully sunny; the finale digs into the ...
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