Guitar World's Beatlemaniacs assemble for the deepest of deep dives into the recorded output of a pop-cultural icon and ...

Throughout 'Mayhem,' her seventh album, Gaga proves that revisiting the past doesn't always breed reductive results if you offer something fresh.

The words “influence” and “reference” are closely related, and in any art form, both are often — hopefully usually — an act ...

But now, finally, a decade after they started, Michael Cera Palin are back, this time with their debut album. And while there is still some growing pains, it was well worth the wait. We Could Be Brave ...

The Damage, Inc. Tour, which kicked off in March 1986, was a crucial chapter in Metallica’s rise to prominence. For much of the tour, the band served as the opening act for Ozzy Osbourne in the United ...

Meanwhile, the group’s married couple, Chris Frantz (drums) and Tina Weymouth (bass), were on the cusp of forming their ... It was a view shared by Jerry Harrison who then developed a burbling synth ...

Rising Irish soul-pop artist Calum Agnew has unveiled his powerful new single, ‘Anymore’, which draws inspiration from the act of breaking free from intense, unrequited love. Bolstered by his powerful ...

hammered-on bass note at 0:44 and the subsequent slow glide down the neck into the chorus. Powell also hired in a celeste, which was used for the chime-like arpeggios that also double with the ...

The song's intricate structure, featuring down-picked chromatic riffs, clean arpeggios, and soaring solos, marked a stark contrast to the simpler, rawer songs of Kill 'Em All. The song writing ...

Cohen sang in his limited bass and wrote his songs so he could ... reinterpreting on his guitar the arpeggios Cale had used to accompany the song. Running longer than six minutes, Buckley ...