News

New York Classical Review14h
Choral Society, soloists deliver a worthy Verdi Requiem at Carnegie
Another way to look at it was, by playing it like concert music, the most lyrical parts, those that fit most easily into ...
New York Classical Review2d
A Stravinsky night to remember with Kopatchinskaja‘s Philharmonic debut
The main attraction at New York Philharmonic concerts in David Geffen Hall this week is newness. It comes in two parts; a ...
New York Classical Review2d
Uchida casts a spell with First and Second Viennese masters
Two-dimensional and daunting on the printed page, Schoenberg’s atonal music developed depth and character through Uchida’s artful voicing of its singing theme and flickering fantasms. The second piece ...
New York Classical Review5d
Heggie premiere caps impressive recital by London laureate Moore
Before the new piece’s premiere, Nora London’s grandson Eric London Wollberg, treasurer of the London Foundation, came ...
New York Classical Review8d
Mutter recital spreads a rich table, including a striking Iranian premiere
Orkis’s fingers were in perpetual, pearly motion in the Allegretto, with Mutter first commenting drily, then joining in the ...
New York Classical Review8d
After a lightweight premiere, Schumann provides the ballast with NYP, Szeps-Znaider
The theme for this week’s New York Philharmonic program, led by guest conductor Nikolaj Szeps-Znaider, could be Central ...
New York Classical Review11d
A first-rate cast balances uneven conducting in Met’s “Figaro”
Muraro and Bishop had the ease and confidence of the veterans they are, producing much of the comedy. Tenor Brenton Ryan was ...
New York Classical Review10d
Musica Sacra refreshes the spirit with an intimate, immersive program
If you’ve ever wondered what it feels like to be inside a piece of music, Musica Sacra’s SurRound concert offered an answer.