The ubiquitous ‘Hendrix chord’ has an esteemed place in blues, jazz and rock. It can give a Stevie Ray Vaughan vibe and makes ...
Using this same template, I’d now like to offer some examples of ways to apply rootless dominant 9th chord arpeggios over the progression’s I, IV and V chords, A7, D7 and E7. Figure 1 is an ...
When a seventh is added to a chord this is known as a seventh chord. The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B ...
When a seventh is added to a chord this is known as a seventh chord. The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B ...